
Richard Strauss
Arabella
LIVE IN HD
Overview
On November 22, Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to cinemas worldwide in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (The New York Times). Soprano Rachel Willis-Sørensen stars as the title heroine, a young noblewoman in search of love on her own terms. Radiant soprano Louise Alder is her sister, Zdenka, and bass-baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
English StreamText captioning is available for the Met’s transmission of Arabella here. A transcript of the transmission will also be available to view after the live performance.
Production a gift of Mrs. Michael Falk
SUNG IN
GERMAN
Timeline
Timeline for the show, Arabella
ESTIMATED RUN TIME
4 HRS 10 MINS, WITH TWO INTERMISSIONS
Cast
Select a date from the dropdown to filter cast by date of performance

World premiere: Staatsoper, Dresden, 1933. The romantic comedy Arabella was the final collaboration of Richard Strauss and his great librettist Hugo von Hofmannsthal. While certain elements of operatic farce are present, there is great elegance about the work, and its characters’ journeys are moving and affecting in their own way. The title character—honest, pure, well-meaning—is one of opera’s most appealing and believable characters.
Creators
Richard Strauss (1864–1949) composed an impressive body of orchestral works and songs before turning to opera. After two early failures, he caused a theatrical sensation with Salome, and his next opera, Elektra, was his first collaboration with librettist Hugo von Hofmannsthal (1874–1929). Their partnership became one of the most remarkable in theater history, though their personalities were very different—Hofmannsthal enjoyed the world of abstract ideas, while Strauss was famously simple in his tastes—which makes their collaboration all the more extraordinary.
Production
Otto Schenk
Set Designer
Günther Schneider-Siemssen
Costume Designer
Milena Canonero
Lighting Designer
Gil Wechsler

Composer
Richard Strauss
Setting

Arabella is set in Vienna around 1860. The historical moment that drives the plot is the situation of a fading landed gentry attempting to keep up appearances while somewhat adrift in the modern urban melting pot.
Music
The score of Arabella is beautiful and charming, with a wealth of lyrical melody perfectly attuned to the demands of the story and characters. Strauss’s most exalted domains—his writing for the soprano voice and for the orchestra—are magnificently apparent throughout this score, with the title character’s introspective soliloquy in Act I being just one stunning example. He also calls upon the orchestra to create unforgettable effects, nowhere more notable than in the touching final scene, in which the listener is transported into a musical experience of forgiveness, wisdom, and the burgeoning of true love.

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