Die Frau ohne Schatten

Richard Strauss

Die Frau ohne Schatten

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Overview

Met Music Director Yannick Nézet-Séguin takes the podium to lead Strauss’s grand mythological epic, a tour de force for orchestra and soloists alike. A spectacular trio of sopranos lead the ensemble cast, with Elza van den Heever as the otherworldly Empress, Lise Lindstrom as the Dyer’s Wife, and Nina Stemme as the Nurse. Following recent triumphs in Wagner’s Ring cycle and Die Meistersinger von Nürnberg, baritone Michael Volle is Barak, with tenor Russell Thomas as the Emperor and bass-baritone Ryan Speedo Green as the Spirit Messenger.

Production a gift of a Managing Director and his wife

The Met gratefully acknowledges the support of Robert L. Turner

Languages

Languages sung in Die Frau ohne Schatten

Sung In

German

Titles

Title languages displayed for Die Frau ohne Schatten

Met Titles In

  • English
  • German
  • Spanish

Timeline

Timeline for the show, Die Frau ohne Schatten

Estimated Run Time

4 hrs 30 mins

  • House Opens

  • Act I

    70 mins

  • Intermission

    30 mins

  • Act II

    70 mins

  • Intermission

    30 mins

  • Act III

    70 mins

  • Opera Ends

La Cenerentola

Premiere: Staatsoper, Vienna, 1919
The fourth collaboration of Richard Strauss and librettist Hugo von Hofmannsthal was in many ways their most ambitious: a heavily symbolic morality tale about love and marriage that unfolds in a fairy-tale world of multiple dimensions. Its five lead roles are daunting even by Strauss’s demanding standards, while the orchestral requirements and staging challenges alone assure this opera a unique spot in the repertory.

Creators

 Richard Strauss (1864–1949) composed an impressive body of orchestral works and songs before turning to opera. After two early failures, Salome (1905) caused a theatrical sensation, and the balance of his long career was largely dedicated to the stage. His next opera, Elektra (1909), was his first collaboration with Hugo von Hofmannsthal (1874–1929), a partnership that became one of the most remarkable in theater history.

PRODUCTION

Herbert Wernicke

SET, COSTUME, AND LIGHTING DESIGNER

Herbert Wernicke

Headshot of Richard Strauss

Composer

Richard Strauss

Setting

La Cenerentola

The opera takes place in the mythical Empire of the South Eastern Islands. The story moves between the humble dwelling of the Dyer and his Wife, in and around the palace of the Emperor and the Empress, in the forest, and in a grotto beneath the realm of the spirit god Keikobad.

Music

Strauss’s score calls for extraordinarily large musical forces, including an onstage orchestra of winds and brass (plus thunder machine and organ), in addition to a large pit orchestra with such augmentations as glass harmonica, two celestas, and an extravagant percussion section that features a slapstick, castanets, and Chinese gongs. The vocal writing is likewise remarkable, and all five lead roles require great strength, stamina, and musicality: beyond penetrating the dense orchestration, the singers are also expected to produce elegant and even delicate passages.

Die Frau ohne Schatten